Gay bar camden london

Gay and lesbian Camden

Diversity and tolerance in Camden

London's lgbtq+, lesbian, bisexual and transgender scene is one of the finest in the world. All tourists are welcome and there's plenty of places to go including Camden Town. When it comes to diversity and tolerance, there really is no other place like Camden! Camden and the rest of London boast a gay scene that encompasses more bars, clubs, parties and events than anywhere else in the world. You can enjoy clubbing, join a community or connect up with friends in one of many gay friendly places.  Camden's gay community is a vibrant, eclectic, welcoming and warm collection of individuals from all over the world to appreciate a town of tolerance, society and more fun than you can take.

Top gay and queer woman bars and clubs

You're spoilt for choice when it comes to gay and lesbian nightclubs in London. But when it comes to Camden Town the selection is simple. The Black Cap. The Black Cap is one of the oldest, well established and known Gay cabaret bars around. The Black Cap is a synonym for fun and friendly atmosphere for the LGBT comm

Legendary Camden gay pub The Black Cap is officially reopening

After almost a decade of campaigning, Camden’s Black Cap pub is finally on the road to reopening.

New plans for the pub and cabaret space to return to its former glory as an LGBTQ+ hub accomplish with bed and breakfast-style quarters for staff and performers have been lodged at Town Hall.

Camden New Journal reports that activist Alex Leafy said: ‘Finally, we can say we are optimistic and the owners are really excited. It has been a massive win to have people sitting down round the table with the same aims – to get The Black Cap help in the way it should be.’

He added: ‘It has been a partnership. We have worked closely with Camden Council, who contain worked tirelessly behind the scenes and done everything they possibly could for years.’

The pub close in April , just days after it was declared an Asset of Community Value by Camden Council. Its owners had made repeated unsuccessful shots to develop the building into luxury flats. On the day of the pub’s closure, loy

History

&#;Yes, we know that The Black Cap did depart through a bad patch, when it was sold to faucet inns she was in decline, over five years, five managers with hopes and swear came and went, assist withdrawn for ‘The Drama Queens’, we lost our home and then during the last 18 months thanks to Benjamin Giddins, The Meth Lab and the fantastic The Familyyy Fierce, the place was once again packed to capacity, this surge of excitement, along with the development of artistic creativity was also ‘crushed’, stopped purely for the gain to be gained by conversions into flats and a retail outlet!


I own no problem with any failed pub that’s been boarded up and left unwanted being changed into something that will raise the surrounding area, to help the housing shortage, but I do seize it personally and will make a noise when they go out of their way to deliberately drive a business into the ground, forcing out a community, ‘spiting’ on its year history; crushing developing creativity and for closing a performance room, just to turn a World famous LGBTQ Venue, The Palladium of Queenly i

‘It had such magic’: an oral history of Camden’s legendary gay pub, the Black Cap

On the surface, the Black Cap was just like any other high street boozer: a one-armed bandit machine, a well-stocked bar, reliable regulars. But it wasn’t just any old pub: since the s, several generations of drag queens called it their home. 

‘It was a drinking pub that had performative shows, that was it – real old-fashioned kingly queen shows,’ says Omar F. Okai, an award-winning director and choreographer. ‘A lot of the kingly queens became really massive stars, like Paul O’Grady.’ 

The pub has been a landmark on Camden High Highway since  From witches, encounters with serial killer Dennis Nilsen and trailblazing queenly queens like Mrs Shufflewick, Regina Fong and Paul O’Grady as Lily Savage, the Black Cap was a refuge for punters in the years leading up to the deadly AIDS epidemic and beyond.

‘You had to pay 50p to get into the support of the bar, which was where the performative shows were,’ says John Nicolaou, who worked a